FASHION DESIGNER
/ PATTERN MAKER

TECH-NECK explores how the constant use of digital devices is reshaping contemporary posture. Rather than correcting the forward-leaning body, the project uses it as the starting point for garment construction.

Forward head position, rounded shoulders, a curved torso and gathered arms are translated into volumes, proportions and construction lines.

The collection investigates how pattern cutting can adapt to a body increasingly shaped by technology, combining body-led construction with technical textiles and rigid materials.

Pattern development begins with the observation of the body while interacting with digital devices.

Changes in the position of the neck, shoulders, spine, arms and legs are mapped to identify new lines of balance and tension.

These observations become construction references, allowing the silhouette and panel placement to develop directly from the altered posture rather than from an idealized neutral body.

The construction process translates the mapped posture into curved panel lines, extended neck and back shapes, articulated sections and redistributed volumes.

Development moves between body observation, sketching, technical drawing and three-dimensional testing, allowing each garment to respond to the posture that generated it.

Throughout the development process, I experimented with unconventional textiles, including outdoor furnishing fabrics, upholstery materials and three-dimensional mesh.

For the second look, an 8 mm plexiglass panel was cut using a circular milling process and shaped through thermoforming. The rigid element was then bolted directly to the wool jacket, with the fastening system concealed beneath the lining to maintain a clean exterior finish.

For the backpack, the plexiglass structure was laser-cut and subsequently thermoformed to follow the curvature of the back and extend towards the neck.

MODULAIRE explores a modular approach to menswear, developing garments as systems of interchangeable components rather than fixed structures.

Built from simple geometric pattern shapes, snap fastenings connect, remove and reposition sections, enabling multiple configurations.

A repeated fastening logic connects independent sections. Sleeves, body panels and trouser sections detach and reassemble into multiple configurations.

The final look uses 250 gsm 100% cotton canvas, initially white, dyed black, then hand-painted with three grey acrylic shades to create a layered camouflage effect while maintaining the structural quality of the fabric.

RECODE is a six-look capsule collection presented during the UNINT runway show. The project imagines a post-apocalyptic evolution in which clothing moves from raw, primitive processes toward increasingly refined and technological construction.

The collection develops as a progression, moving from irregular and visibly manipulated surfaces toward more controlled structures and finishes.

RECODE explores different methods of textile manipulation and surface treatment, including pleating, thermoforming on synthetic fabrics, natural dyeing with wild grasses, acrylic pigment treatments and patchwork construction.

These processes are used to alter the behavior, texture and visual density of the fabrics, allowing material experimentation to become part of the construction language of each look.

Volume construction and pattern precision translate the textile experiments into wearable silhouettes. The six looks balance raw material intervention with increasingly controlled garment development, making the evolution of the collection visible from look to look.

VZY WORLD documents a complete product-development process for a fashion brand, from garment design and material selection to digital pattern development and sample realization.

The project was developed with serial production in mind.

The workflow connects material research with production-oriented pattern development. Fabric options were evaluated alongside garment proportions, while digital pattern pieces were developed with measurements and construction details to guide sample production.

The final stage connects technical development with realized garments, documenting the transition from pattern and material research to physical samples and final styling.

This project develops a coordinated capsule of handbags and footwear, combining creative research with technical product development.

The process includes design exploration, material and colour selection, hardware research, technical sheets and construction studies for each accessory.

Material development played a central role in the project. I experimented with different textile treatments and unconventional natural dyeing processes to explore variations in colour, texture and surface.

For the leather components, I researched different types of hides and identified potential suppliers, comparing material qualities, finishes and applications according to the requirements of each accessory.

This research was then translated into detailed material sheets and product technical sheets, bringing together specifications, material selection, hardware and construction information necessary for product development.

This archive brings together technical drawings, construction studies and development documents produced across selected projects.

The work focuses on the translation of design ideas into measurable forms, construction lines and technical information, moving between body observation, pattern logic and product development.

Several projects begin with the analysis of the body before the garment is drawn.

Posture, balance points, joint positions and movement are mapped directly onto the body and then translated into construction lines. These studies are used to understand where volumes, seams and articulated sections need to develop in relation to the wearer.

The initial body studies are progressively simplified into garment diagrams and technical drawings.

This stage defines panel placement, proportions, articulation and the relationship between individual pattern sections before the garment moves into prototyping and construction.

Technical documentation is also used for accessories and rigid components, combining orthographic views, dimensions, material information and hardware specifications.

These drawings function as working documents during development, helping communicate proportion, construction and material requirements more precisely.

Body Observation → Mapping → Construction Lines → Technical Drawing → Pattern / Product Specification → Prototype